Sponge tool The rarely-used Sponge tool is nested with the.Although Photoshop was originally designed to be a digital darkroom, it long ago outgrew that niche market and is now a standard component of every type of graphic workflow, from print, Web design, and 3D graphics, to special effects and video production. Click in the red or green area and paint around within the pupil, avoiding the primary reflection. : Adobe Systems Collection inlibrary printdisabled internetarchivebooks americana Digitizing sponsor Internet Archive Contributor Internet Archive Language English. Publication date 2005 Topics Adobe Photoshop, Adobe Photoshop (Programa para computadora), Computer graphics, Programas para computadoras Publisher San Jose, Calif. Adobe Photoshop CS2 : user guide by Adobe Systems.
Instead, you lock a layer by selecting it and then toggling the lock controls at the top of the Layers palette. Experienced users should have no trouble getting used to this simple procedure.Locking has also changed, and layers no longer sport a Lock icon. For example, to constrain an adjustment layer to a particular set of layers, you now group the layers with the relevant Adjustment Layer and then change the group’s blending mode from Pass Through to Normal. Linking is still available in the Layers menu, but some link-dependent processes have changed. Nevertheless, many little changes are spread throughout the application.The Layers palette no longer includes icons for linking layers, because now — finally — you can select multiple layers by shift-clicking (or command/control clicking to select non-contiguous layers).
In this way, Smart Objects allow for non-destructive editing, since none of the changes you make affect your original data. However, no matter what you do to them, you can always open them in their original state and edit them. The two source layers disappear, and a new Smart Object layer takes their place.Smart Objects work just like any other layer: You can move them, transform them, change their opacity and blending mode, and even apply Layer Styles. For example, you might select a layer containing a logo, and a layer containing some text, and then group them into a Smart Object. A Smart Object can be a piece of vector artwork that you’ve imported into Photoshop, or any group of raster or vector layers that you’ve created within Photoshop. Note the Smart Object layer.The Layers palette also provides access to Photoshop’s new Smart Objects feature.
Photoshop users have long cried out for the ability to apply filters in a parametric, non-destructive way. Unfortunately, you can’t apply adjustments or filters directly to Smart Objects. For in-process workflows, where a particular element might change later, this non-destructive approach works great.
When the boundary of one layer gets near another, Smart Guides automatically appear to help in positioning. Even with these complaints, though, Smart Objects are a great addition that will quickly find their way into your everyday workflow.Photoshop’s Guide feature has received an IQ boost in the form of Smart Guides, dynamic snapping guides that pop up as you drag layers around. You can, however, apply adjustment layers to Smart Objects, just as you would any other type of layer.
Unlike Liquify, Warp doesn’t stretch the surrounding area, which means it’s possible to create what looks like a rip in your image. The Warp dialog gives you several Beziér control points with which to warp and distort your image. Photoshop CS2’s new Warp filter provides vector-based warping similar to the Warp Text effect, but with far more control.You can apply Warp to layers or selections. Rather than show the font name in the actual font, which doesn’t work so well for things like symbol fonts or dingbats, Photoshop displays the font name in a generic-looking typeface, with a sample of the type off to the side.Photoshop’s Liquify tool is great for distorting an image, but because it works via a brush interface, it’s difficult to alter or tweak your distortions later. Adobe was smart about its implementation.
The old Cmd/Cntrl-G shortcut now creates a Group (formerly called Layer Set) and if you go that route then you must follow Ben’s procedure for changing the blending mode.He also states “Locking has also changed, and layers no longer sport a Lock icon. If you only want to constrain the Adjustment Layer to a single image layer below it, you can just Option/Alt click on the dividing line between the two layers. Multiple selected layers can still be linked by clicking on the new link icon at the bottom of the Layers palette, and linked layers are identified by a new link symbol at the far right side of each layer in the Layers palette.Next, he states that “to constrain an adjustment layer to a particular set of layers, you now group the layers with the relevant Adjustment Layer and then change the group’s blending mode from Pass Through to Normal”.
CS2 does nothing to change layer locking. All the functionality he mentions was present in Photoshop CS, including separate locking of content and positioning. Adobe has greatly improved the locking facility, which now lets you lock content and positioning separately.” Not true by a long shot.
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